George Lucas and Steven Spielberg tell the struggles and the passion for making the Indiana Jones Trilogy.

George Lucas and Steven Spielberg tell the struggles and the passion for making the Indiana Jones Trilogy.

In 2019, after his three Maze Runner films grossed nearly $1 billion on a $156 million spend, Ball was days away from production on 20th Century Fox’s Mouse Guard adaptation, but then the Disney-Fox merger abruptly canceled his ambitious mocap-centric project that counted Reeves and Serkis as producer and actor, respectively. However, later that year, Ball got a call from 20th’s longtime president of production, Emma Watts, which he believes was her way to make amends for Mouse Guard’s collapse. 　　“Yeah, that’s probably what it was … Emma Watts called me and said, ‘Sorry about the Mouse Guard thing, but what would you do with the next Planet of the Apes?’” Ball tells The Hollywood Reporter. “So it took me a minute to get my head around that idea. I wasn’t sure it was the right thing to do until we found our way into something that I thought was worthy of following up the previous three.” 　　Ball’s way into a new potential trilogy began with the aforementioned time jump where different clans of apes now reside in their own villages, including the Eagle Clan and their sheltered yet serene existence alongside their loyal eagle companions. Noa (Owen Teague), a sensitive young chimpanzee, is on the verge of adulthood within the Eagle Clan when Proximus Caesar’s (Kevin Durand) coastal clan of hostile apes pillages his family’s community, forcing him to go on a journey where he finally learns about the real world and who the real Caesar was from the learned orangutan, Raka (Peter Macon), and who he wasn’t from the power-hungry bonobo, Proximus. 　　The kicker is that Noa also encounters a seemingly feral human, but she’s really an intelligent young woman named Mae (Freya Allan), establishing that this new potential trilogy won’t be an ape story that resets its human cast with each movie like the prior trilogy of the 2010s.

In 2019, after his three Maze Runner films grossed nearly $1 billion on a $156 million spend, Ball was days away from production on 20th Century Fox’s Mouse Guard adaptation, but then the Disney-Fox merger abruptly canceled his ambitious mocap-centric project that counted Reeves and Serkis as producer and actor, respectively. However, later that year, Ball got a call from 20th’s longtime president of production, Emma Watts, which he believes was her way to make amends for Mouse Guard’s collapse. 　　“Yeah, that’s probably what it was … Emma Watts called me and said, ‘Sorry about the Mouse Guard thing, but what would you do with the next Planet of the Apes?’” Ball tells The Hollywood Reporter. “So it took me a minute to get my head around that idea. I wasn’t sure it was the right thing to do until we found our way into something that I thought was worthy of following up the previous three.” 　　Ball’s way into a new potential trilogy began with the aforementioned time jump where different clans of apes now reside in their own villages, including the Eagle Clan and their sheltered yet serene existence alongside their loyal eagle companions. Noa (Owen Teague), a sensitive young chimpanzee, is on the verge of adulthood within the Eagle Clan when Proximus Caesar’s (Kevin Durand) coastal clan of hostile apes pillages his family’s community, forcing him to go on a journey where he finally learns about the real world and who the real Caesar was from the learned orangutan, Raka (Peter Macon), and who he wasn’t from the power-hungry bonobo, Proximus. 　　The kicker is that Noa also encounters a seemingly feral human, but she’s really an intelligent young woman named Mae (Freya Allan), establishing that this new potential trilogy won’t be an ape story that resets its human cast with each movie like the prior trilogy of the 2010s.

Nonoka goes out of her way to make a written confession to the older brother of one of her classmates, but he doesn't even read the letters. This prompts her to stop by in person, and express her "hate" for him through various antics...

A man lost between life and death confronts all sorts of events that turn him into real voracious cannibal. It is taken strange bloody hallucinations which push him to fill his hunger and to fight against demonic forces.

A man lost between life and death confronts all sorts of events that turn him into real voracious cannibal. It is taken strange bloody hallucinations which push him to fill his hunger and to fight against demonic forces.

BTS cemented their global status with their first Billboard Music Award win, and their meteoric rise is powerfully captured in 〈BTS 2017 Live Trilogy EPISODE III THE WINGS TOUR THE FINAL Remastered〉. Individual and unit performances reveal a spectrum of charms through velvety vocals and poetic rap, while the electrifying performances of "Blood Sweat & Tears," "DNA," and "MIC Drop" showcase the tour's expanded scale! A pivotal chapter in BTS’s journey unfolds vividly on screen.

From the dark vaults of Forbidden Worlds comes a new chapter of terror in Urban Evil: A Trilogy of Fear, a collection of three contemporary stories of urban horror. In "Demonic Tunes," a dynamic hip-hop group called Urban Protectors is "discovered" by the notorious record producer Dr. Bones, who plans to turn them into part of his zombie army and dominate the world. In "The Killing Kind," 17 year-old Kwame invokes his grandmother's magic of the "killing kind" and puts it into her old rag doll after a group of local thugs put her in the hospital. And finally "Hidden Evil" explores a mysterious vault in the basement of an old abandoned high school, where there lurks an evil that has been locked away for 100 years. When they mistakenly free a horrific spirit, the school becomes a deadly prison and there is no way to escape.